VISUAL AI STUDIO FOR ART AND TECHNOLOGY
  • 😎VISUAL AI STUDIO FOR ART AND TECHNOLOGY
  • 📃SYLLABUS
  • 🗓️WEEKS SCHEDULE
    • 🤳Week 01 | Sep 9
    • 😎Week 02 | Sep 16
    • 🎮Week 03 | Sep 23
    • 🚇Week 04 | Sep 30
    • 🗣️Week 05 | Oct 7
    • 🤡Week 06 | Oct 15 | Monday Schedule Meets Tuesday
    • 🎙️Week 07 | Oct 21
    • ✍️Week 08 | Oct 28
    • 🗣️Week 09 | Nov 04
    • 🔉Week 10 | Nov 11
    • 🌠Week 11 | Nov 18
    • 👾Week 12 | Nov 25
    • ✈️Week 13 | Dec 02
    • 🌟Week 14 | Dec 09
  • 🔠CREATIONS
    • 🟢General Guidelines for Creations
    • 🤖01 Messing Around
    • 🧐02 Deep Deepfake
    • ⏺️03 Everything is a Remix
    • 🛠️04 Do Something and Do Something Else
    • 💕05 How Do I Love Thee, Let Me Count the Prompts
    • 💩06 Kitsch and Queer
    • 🤳07 Are You There AI God? It's Me, (Insert Name)
    • 🪞08 Iterate Your Identity
  • 🔎VRL, RESPONSES, WRITINGS & PROPOSALS
    • 🖊️Artist Statement
    • 📜Project Proposal
    • 📚VRLs (Viewing/Reading/Listening) List
    • ✍️Self Reflection
  • 🖼️FINAL PROJECT & EXHIBITION
    • 📅Dates and Details
    • 👥Teams
    • 🎁Final Deliverables
  • 🤩CLASS VISITORS
  • 🎯RECOMMENDED RESOURCES
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  1. CREATIONS

08 Iterate Your Identity

Lead on this creation: Carla

Previous07 Are You There AI God? It's Me, (Insert Name)NextVRL, RESPONSES, WRITINGS & PROPOSALS

Last updated 6 months ago

DESCRIPTION: This week you're going to "iterate your identity" Revisit the "Are You There AI God? It's Me, (Insert Name)"

*This is similar to the "Do Something and Do Something Else" project, BUT you will be writing an artist statement about this project.

  • You can approach this iteration multiple ways:

    • You can choose a new medium or media form to translate your original work

    • You can expand on the work you've already produced, for example if you made a 20 second video, it can now be longer form or you could audio or interactive components

    • You could create a new work if you feel after class material covered together there are different ways you'd like to represent yourself

    • You can surprise us with some other approach we did not mention above ^^^

REQUIREMENTS:

  • Do not use an AI platform to write your artist statement.

  • For the second iteration of your identity one component of the final work should be authored by you, meaning it should not be only an AI generative project. For example, you can take a generated image and bring it into Photoshop or After Effects to edit, add, or change the work in some way.

EXAMPLE:

ARTIST STATEMENT FOR THE WORK: “The Selfie Drawing Project” began as a search, turning my gaze upon myself (and my electronic devices) to see what I might find there. In January of 2015 I felt an intense urge to begin working on a new body of work, one that in fact, incorporated my body. I felt vulnerable at first, speaking more directly through my own voice, and using myself as a character in the digital narratives that seem to be my most natural form of expression. I’ve been taking selfies for years, but before incorporating them into my art, I needed to find an element of selfie vernacular to recontextualize. Drawing, usually the first phase of any series I begin, became the vehicle for me to embark on this project. The project includes a collection of 52 digital drawings that I completed over 52 weeks – a year-long project in which I performed “the self” through digital drawings from January to December 2015.

The first culmination of this body of work was “A Subject Self-Defined”, a solo exhibition at TRANSFER Gallery in 2016 of large-format looped moving images and an augmented reality book (produced in collaboration with UNBOX and Blippar), that took its title from Joseph Kosuth’s 1966 neon sculpture that spells out and is eponymously titled “A Subject Self-Defined.” He belonged to a group of artists involved in stripping down the art object, reducing it to ideas and information that were detached from personal meaning. Forty-nine years later, when we find art in the age of networked identity and digital dematerialization, I am perplexed by subjecthood and self-definition in relationship to the “personal” when performed publicly.”

In 2017, the project was expanded for a solo exhibition at DAM Gallery entitled “Until the End of the World.” I provided new hybrid transcriptions of the Selfie project, including an augmented reality wallpaper installation “The Selfie Wallpaper“ and the 3D animated video work “Until the End of the World,” for which the exhibition is eponymously titled and which enhances a narrative component to the selfie project. Inspired by a sequence in the 1991 Wim Wenders film “Until the End of the World” where a woman is addicted to watching her dreams in a small, handheld device. I exploded the concept into an operatic mash up that addresses the digital identity politics of our age.

🔠
🪞
Carla Gannis, Selfie Drawing 01, Jan 2015
Carla Gannis, Selfie Drawing 52, Jan 2016
Carla Gannis, Blipp 39, AR Activation of Selfie Drawing 01,
Carla Gannis, Blipp 52, AR Activation of Selfie Drawing 52,
https://vimeo.com/193275107
https://vimeo.com/205723571