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Descriptions of each class meeting will be found here.
Our aspirations are wrapped up in books / Our inclinations are hidden in looks -- "Wrapped Up in Books", Belle & Sebastian
ANNOUNCEMENTS
Going forward please turn in assignments by 3pm on Monday, so that we can review them before class!
Your prof Carla G has a solo exhibition opening THIS Friday, with a press release written by your other prof A.V.M.
All info here
AUTHORSHIP AND OWNERSHIP
Discussion and Crits
Alex: Barthes discussion
Eric Demo and Install: Pytorch 1hour 1/2
Click here to proceed: https://github.com/SuperTornadox/AI_Studio_DCGAN/tree/main
If time: Carla and Alex: Crits of Creation 03: Remix
****ERIC'S EMAIL for THIS WEEK: Eric He, xh2815@nyu.edu****
READ E.T.A. Hoffmann's "The Sandman":
WATCH (optional) Ballet Coppelia which is based on this short story
READ "My AI Lover" (watch this one on the NYT website directly so you can view the documentary the text refers to-- you can view it free with a trial account)
WRITE a two paragraph response to one or more of the above readings/viewings [post to the Discord, also share as a doc in your folder on the class google drive]
CREATION 04 Do Something and Do Something Else
IN CLASS
"I don't give a fuck if you don't know what I'm talking about- this is art. When you go see a painting on the wall and it looks bugged out because you don't know what the fuck he thinking, because he ain't got no benches, no trees there, it's just a splash. The n**** that did it know what the fuck it is." - Ghostface Killah, from "The Wu-Tang Manual" 2005
INTROS AND DISCUSSIONS
Syllabus and Intro:
Carla and Alex intros.
Introduction of Grad Assistant Eric He
Open this page and discuss its contents, as well as general course expectations
Discussions:
Alex: Visual Literacy
Alex: Art historical prompting with Midjourney
Review of "Activities" due Week 02
FILL OUT "You Form"
CREATE a folder for yourself on the class google drive here. ALL digital activities (writing, visual, sound, etc... will be uploaded here)
JOIN the Class Discord
WATCH Clip of the Matrix
CREATION 01 Messing Around
It's amazing how many things you can do when you're just pretending. - Kim Gordon
VISITING EXPERTS
AI Ethics Panel with Charlotte Kent, Ruby Justice, Sasha Stiles and Anne Spalter
Student Discussion
Finish Crits
(Optional) Open Work Session: Begin Creation 03 Remix
READ Barthes– "Death of the Author"
If you're curious about the (very short!) story that Barthes' uses here, you can read Sarrasine in English translated by Clara Bell here. If you read French feel free to read both Barthes and Balzac in the original!
READ Excerpts from Sasha Stiles- Technelegy
WRITE a two paragraph response to our in-class ethics panel and/or a response to your own Creation 03 below-- feel free to combine the topics! [post to the Discord, also share as a doc in your folder on the class google drive]
CREATION 03 Remix
"Truth, dare, spin bottles / You know how to ball, I know Aristotle..." -- Taylor Swift, So High School
ALLEGORY OF THE CAVE DISCUSSION: IS ALL ART DECEPTIVE? WHAT IS A REAL OBJECT?
Discussions
Alex: Plato discussion
Crits (Carla & Alex)
Open Work Session (if time remains)
Use one of the generative tools to make something that argues about its own “realness”
WRITE a two paragraph response [post to the Discord, also share as a doc in your folder on the class google drive] two of the following (you can pick two contradictory opinions and compare, or two pieces that reinforce each other-- fine either way!) and post it on the Class Discord:
This overview of current AI case filings, where you can click through to detailed descriptions of the legal grounds for each case
LAION-5B, Stable Diffusion 1.5, and the Original Sin of Generative AI by Eryk Salvaggio on TechPolicy.Press (specifically addresses images of child sexual abuse (CSAM) in the dataset and their consequences)
Electricity grids creak as AI demands soar (short news factual article that pairs with above)
Data Workers’ Inquiry -- a look at the human costs of producing AI front end services
Specifically: read some of the testimonies, videos, and more from workers themselves, many of whom produce the datasets AI products use directly.
HOT TIP: Run out of free articles on a publication website like the New Yorker? Open a new incognito window in Chrome or spoof an IP in a VPN to get access! NYU has these publications in databases but they're often a few weeks behind.
CREATION 02 Deep Deepfake
"Some things you'll do for money and some you'll do for fun/ But the things you do for love are going to come back to you one by one" -- "Love Love Love", The Mountain Goats
AI RELATIONSHIPS AND EXTENDING REALITY
Discussion
Alex unpacks The Sandman
Crits of Remixes and Do Something, Do Something Else
READ Walter Benjamin Art in the Age of Mechanical Reproduction
WRITE an initial two paragraph response to the Benjamin reading OR your own Creation 05, below [post to the Discord, also share as a doc in your folder on the class google drive]
CREATION 05 How Do I Love Thee, Let me Count the Prompts
"How long can we holler when it ain't no breath?/ You keep killin' fathers without no regrets/ /Then keep on countin' dollars 'til it ain't none left"-- Chapter 319, .clipping
AI Bias
Visiting Expert: Yesha Shah
Sharing a case study on addressing AI Bias
Discussion
Carla discusses "The Artist Statement"
Alex and Carla on the VRLs (What Models Make Worlds, Legacy Russell...)
CARLA'S NOTES on the VRLS Review by Charlotte Kent of the "What Models Make Worlds" exhibitionhttps://brooklynrail.org/2023/11/art-technology/Crisis-A-Critical-Imaginary/
Crit (maybe)
Open Work Session
Begin writing Artist Statement 250 words on Identity homework
FINISH Artist Statement (this should be about your work in Creations 07 and 08)
CREATION 08 Iterate your Identity
WRITE a Self Reflection. This will help prepare us for discussions with you in our 2 on 1s in Week 10.
… You're only coming out because you came back in / You're only coming out because you came back in … / And I'm still your f** I'm still your f** -- Broken Social Scene, "I'm Still Your F**"
Camp and Kitsch
Discussions
Alex on the Sontag text and Queer Art
Presentation (SKIPPED, so VIEW and READ over the week)
Carla on Subversion in Art, Appropriation Art, Copy & Paste, and Prompt & Copy
View presentation HERE
Crits
Open Work Session
Begin working on Creation 07
READ and VIEW What Models Make Worlds: Critical Imaginaries of AI
WRITE a two paragraph response to the above reading/viewing
Presentation (SKIPPED, so VIEW and READ over the week)
Carla on Subversion in Art, Appropriation Art, Copy & Paste, and Prompt & Copy
View presentation HERE
CREATION 07 Are You There AI God? It's Me, (Insert Name)
"Who gives a fuck about an Oxford comma?/ I've seen those English dramas too, they're cruel / So if there's any other way/ To spell the word, it's fine with me, with me"-- Vampire Weekend
Announcement
Sign up for a MANDATORY 2:1 meeting with us . We will be meeting in office 360 at 370 Jay Street, NOT here at the Navy Yard. These meetings will take the place of our regularly scheduled class meeting. Again, there will be NO IN CLASS meeting next week!
Your PROJECT PROPOSAL (this week's assignment) MUST be in by 3 pm on Sunday the 10th of November. This is so we can discuss it in our 2:1 meetings.
Visiting Expert: Tess Adams
Tess Adams is a Technical Artist working at creative production studio to create the visual media seen throughout the museum for exhibitions and events. Her background is with 3D animation and rendering, but she has recently been leading initiatives to integrate emerging AI approaches into the creative studio’s pipeline.
Sign Up For Groups
SIGN UP for an exhibition team .
We will go over the dates and components of your final projects plus the duties of each exhibition team.
Discussion & Presentation
Alex and Carla: final project steps, producing a substantive body of work and significant writing
Sample project proposal structure [Alex]
Sample slide deck proposals [Carla] *See below. You can access this slide presentation as a guide to your own.
Open Work Session
CONTACT your fellow exhibition team members after you receive a team assignment email on Tuesday to plan a meeting starting next week.
Remember: your proposal MUST include a slide show that indicates visual ideation - moodboards, mindmaps, etc...
Comedy is a socially acceptable form of hostility and aggression. That is what comics do, stand the world upside down. ― George Carlin
ANNOUNCEMENTS
1 - Please turn in Word or PDF files for reading responses (not Pages)
2 - The final exhibition of your work will be on Friday, December 13th here at the Navy Yard and in conjunction with IDM's 20th Anniversary Party and a showcase of other student work from other IDM classes! That said, we are expecting you to attend this event. Please let us know NOW if you have travel plans or an other conflicts on this date.
3 - This week for CREATION -- you will want to do the reading BEFORE you make this work, or at the very least DURING it! You need the reading to get the concept!
4 - Check it out: OPEN CALLfor YOUR WORK if you are in the IDM/TCS community
COPIES AND COPYING/ART IN THE AGE OF DIGITAL REPRODUCTION
Discussion
WRITE a two paragraph response to Sontag's "Notes on Camp" [share as a doc in your folder on the class google drive]
Begin writing a (500 words) w bibliography with 3 relevant sources
SIGN UP for your mandatory 2:1 meeting .
FINISH the first iteration of your DUE SUNDAY, NOVEMBER 10, 3 PM
Alex discusses the Benjamin Text -- you can download the whole presentation
Crits of
READ
CREATION -- you will want to do the reading BEFORE you make this work, or at the very least DURING it! You need the reading to get the concept!
All the information in the is here.
7:00 PM Class Visitor: Steven Pestana is a digitally trained conceptual artist whose environments explore light, shadow, and the ephemeral as both media and subject matter. He has received numerous awards including an individual artist grant from the Rogers Foundation, NYFA’s City Artist Corps Grant, and a Puffin Grant. Pestana has participated in residencies across the United States and exhibited at venues such as the Rubin Museum, Flux Factory, Spring/Break Art Show, Satellite Art Show, and Ohio State University. Currently, he teaches in the Department of Digital Arts at Pratt Institute.